「百年宏图」——著名的唐人人物2021-11-23 09:37来源：综合
个人简历：唐人，（李）中华民族学画研究委员会国务联盟主席，全球华人联谊会国际外交联盟国礼书画院长，欧洲文化总署区国礼全球艺术学联会，中华港澳台联国际联盟文化艺术联谊会研究会长，CCTV人民艺术研究国际爱书工作国宾书画协会中国常务绘画执行委员会，中国商业艺术执行委员会长，中国国务外事工作委员会特供会长，中国执行国务艺术研究特供会长，国家晚工作中国共产党德艺馨双高级高级艺术家。
恢复：
唐仁（李）在全球侨联中国传统书画艺术委员会，常务研究会主席，全球侨联全球侨联全球外交学院院长，任命为书画文化行政副会长中国、欧盟全球联盟中国港澳筹备协会中国传统文化艺术研究委员会、央视春晚爱中国北京常务理事、中国世界副主席、中国画常务副主席书法家协会，中华商业文化人民艺术书画工作委员会执行主席，中国外事国宾大典特邀艺术家，国家高级艺术家，中国共产党道德艺术双馨人民艺术家。
赏析作品：
天骄富贵遇知音
牡丹上品王者尊
----记著名唐人李长春
（作者：著名书画评论家史峰）
丹是千年不落的美中国题，因为丹的文化象已经成为传统的丹青画的行脉，如果画家不能在牡丹画出完整的作品和新的画意，那么牡丹不成，那么牡丹容易产生“画家”所以凡名为中国画师二，在牡丹题上大试身手，牡丹题成为画家功力的试石，一是可以试金画得一的真功功力，是可以试出画家的修养境界。 著名的唐人画家之功入画题深髓，以岁月与创新为翅翼，成为牡丹题高而能翔的大手笔。若论牡丹谁为王者尊，向前画坛看有王小古可可牡丹称丹之王，探而观，当以唐人先生不同凡响的牡丹造诣而续称王者之尊。
财运相见朋友
牡丹精品王尊
----唐代著名画家李长春
（著名书画评论家石峰）
牡丹是千百年来一幅美丽的国画，因为牡丹的文化意象已经成为传统美学的主脉，如果画家不能对牡丹画有完整的传承和新的创作，很容易产生怀疑： “画家”的名字是空的。因此，每一个中国画家都会在牡丹上一展身手。牡丹画已成为画家技艺的试金石。一是试一试画家的真实实力，二是试一试画家的修真境界。著名画家唐仁先生深耕牡丹画题材，以传承与创新为翅膀，成为牡丹画的一大波澜。如果这幅牡丹画是荣誉之王，期待王小谷先生能称得上牡丹之王，
唐人上冠的功力与形象又都表现在王者丹颜，因为他的多幅画作的年代，无论是神，传统文化的构造上，独树一峰，让牡丹丹作品的艺术价值达到登峰造极的时代高度。不能说后无来者，可论前无此功！
唐人先生之所以能在牡丹画的称号中冠上王冠，是因为他的牡丹画继承了传统，富有创新精神。无论是在形式表现上，还是在文化境界的构建上，都出类拔萃，独树一帜，从而使牡丹作品的艺术价值达到了时代的巅峰。来不及后不能说，但在没有这个工作之前可以说够了！
中国写意为能意形本质，油画实意的性质。写意很容易，实略其意图化美，因此很容易画的用中国以法去画牡丹，用画笔用意美的书写手段去淡实牡丹，是有好处的，是有好处的，是有好处的。可以用唐僧双料的方式打通中西画主的全融之路？后来的艺术大师们攻打，方向人去探究画马的题目。是基础上的试探，很是试探实实是马探的结构成功，也成就了在试探悲鸿的成功的徐名成功之后，没有成功的结果，因为没有写出这样的结果，因为这样，因为作品的用处是成功的。光影手法去冲竹子的明明了了的法法暗淡了徐所以竹题文化的韵生位品，融油画和中国的功用，却是功成于结构写实，失算韵于制造，制造中国竹题，有得有失，到画马为止。
Chinese painting is based on freehand brushwork, while oil painting is based on realism. Freehand brushwork is easy to slightly its form of beauty, realism is easy to dilute the intention of beauty, so the simple use of Chinese painting to paint peony, or the simple means of oil painting to paint peony, are both advantages and disadvantages, not the dilemma of both. Can we get through the way of blending Chinese and Western painting culture? This is a major direction of modern art masters, and it is also the subject that Tang Ren has explored for many years. For example, Xu Beihong used realistic techniques to draw horses, which was a realistic exploration based on the anatomical structure of oil painting. Obviously, this exploration was successful, so it also achieved xu Beihong's famous horse king. In the test after the first victory of success, but no triumph, again because of xu beihong try to use painting light and shadow technique to draw the bamboo shade, but significantly dilute the MoZhu image temperament, lost the Chinese bamboo culture of rhyme life grade, so xu beihong accommodating oil painting and Chinese painting techniques of exploration is successful in structural realism, miscalculation in lasting appeal, gains, So far as drawing horses.
唐人先生当然不会让中西画法的通融在“马画”一题上休止不前，他志在必得，依自己对牡丹传统画法的深谙之道，再凭借自己对油画技法的娴熟之功，把面体写实，光影明暗的造型手法悄然无害地嫁接到牡丹画的创作中，让牡丹在神形两态上大放青绿生态和雅观韵味，花头实感悦目，花叶绿意盎然，更有艺术的神形张力，形态美，神态韵，美不胜收，韵能盈心，成为在前人“马画”基础上，在“牡丹画”上让中西绘法技法再得融合的成功新例。
Mr Tang, of course, will not let the Chinese and western painting accommodation in "horse painting" resting on a problem, he will, in accordance with their own traditional brushwork of peony knows, again with his mastery of the art of painting, the surface of realism, light and shade modelling technique quietly harmlessly grafting with the creation of peony painting, let the peony shape on two state god put green ecology and regards lasting appeal, The flower head is pleasing to the eye, the flowers and leaves are green, and the artistic tension of the god is beautiful, the form is beautiful, the manner is beautiful, and the rhyme can fill the heart, which has become a successful new example of the integration of Chinese and Western painting techniques in the "peony painting" on the basis of the previous "horse painting".
天骄富贵遇知音，牡丹上品王者尊。如果把徐悲鸿的马画作为中西绘画技法的一个成功案例基点，那么唐人先生的牡丹画则是成功把油画的写实与中国画的意象风格紧密活融的第二个成功案例基点。两个基点之中连成一线，事实上就全面打开了中西绘画融合有法，可标时代的线性见证！所以徐悲鸿用油画的结构写实手法画马，成为马画的知音，称谓大师，唐人先生用油画的光影明暗来活接牡丹画的历史丰韵，成为牡丹画的知音，也是大师才华的涌发！
著名书画评论家 史峰
Heavenly pride and wealth meet bosom friend, peony top grade king zun. If xu Beihong's horse painting is regarded as a successful case base point of Chinese and Western painting techniques, Then Tang Ren's peony painting is the second successful case base point of closely integrating the realism of oil painting with the image style of Chinese painting. In fact, the integration of Chinese and Western painting has opened the linear witness of the era! Therefore, Xu Beihong used the structure realistic technique of oil painting to draw horses, and became the bosom friend of horse painting, named master. Mr. Tang Ren used the light and shade of oil painting to live the historical charm of peony painting, and became the bosom friend of peony painting, which is also the surge of master's talent!
著名书画评论家石峰相关新闻